A teenage band and a Fostex four-track
A teenage band came first, then a Fostex four-track in the bedroom: lo-fi loops and beats built from sounds, samples and his dad’s CD collection.
Releases, videos, reviews and photos in the order they happened. Filter by project to follow one thread.
A teenage band came first, then a Fostex four-track in the bedroom: lo-fi loops and beats built from sounds, samples and his dad’s CD collection.
At university in Brighton he met the producers, MCs and DJs who got him DJing at house parties, student nights and clubs. That scene produced Infinite Potential: Soulful Spider on production and technical work, Kojak on co-production and turntables, supported by Amber MC and Dizraeli on the mic.
The duo moved back to London and began sending demos to labels across the UK and playing out across London venues.

Early days. The wall behind them carries the names: Kojak, Soulful Spider and Amber.



The debut release from Infinite Potential. Six tracks, written, produced and arranged by Kojak and The Soulful Spider, with lyrics from Amber MC on three of them and all cuts by Kojak.
A tight EP heavily recalling the old school vibe of Black Sheep but with progressing contemporary technique. About half the tracks here are instrumentals where Kojak is unleashed on a variety of these samples over Spider’s memorable beats.



Infinite Potential were invited to remix Aldo Vanucci’s Dear Diary for his Catskills Projects EP release. The remix features Amber MC on vocals. Have a listen below on Spotify.

The second EP, with Amber MC and Dizraeli out front. Latin beats on “La Entrada”, driving rhymes on “Vocal Chords”, a slick ode to pleasure on “Close Your Eyes” and a cinematic title track. Plays on 1Xtra were already coming in at release.
Kojak & The Soulful Spider’s portfolio lets Amber MC and Dizraeli explain how not to limit the larynx on the Common-chorused basics of ‘Vocal Chords’, and Dizraeli expose himself as the cat who’s got the cream over the tiptoeing ‘Close Your Eyes’.
Two mixtapes while the EPs were being made. Stay Tuned features Amber MC. Pick And Mixtape Volume 1 features Amber MC and Dizraeli.


Infinite Potential debuted their full live band at Control Freeks, the monthly Friday night at 93 Feet East on Brick Lane, London. They played Room 1 alongside Steady Diggin Workshop (Carbon Imprints), who had already played T in the Park and V Festival. Room 2 was Younglee and Leroy, the night’s residents.
The listing billed Infinite Potential as a regular at the Freeks that “always rocks the place”.
Live band recordings from the original 2005/6 line-up, with Amber MC on the mic. Separate from the later LeaLea Jones band.
On their own label, Chip and Spin Records, Infinite Potential released a limited edition promo version of previously unreleased tracks. Featuring Dizraeli, Amber MC, El Eye, LeaLea Jones and Ti1.

Infinite Potential with Amber MC.
The first Baba Brinkman credit: Infinite Potential are on four tracks of Lit-Hop. Mad Style Disease, The Vortex, Seduction and Oh No!
Early mini musical podcasts from the IP camp: sixteen episodes of freestyles, mashups and scratching, January 2006 to May 2007. Every episode plays on the site.
Two videos with Amber MC. Cargo from 2007, Wordplay from November 2007.
Artwork for the Brighton Hip-Hop Festival ’07 release of Dizraeli’s “Earth Sound”, presented by Slip Jam:B and BHHF. Part of the Brighton scene Infinite Potential grew out of.

Baba Brinkman and MC Dizraeli team up for uptempo intercontinental hip-hop.
The beginning of a strong voice in revolutionary rap music.
Written and premiered at the Edinburgh Fringe in 2008: a hip-hop exploration of civil disobedience, direct activism and political dissidence, set in a dystopian England in the year 2013. Produced by Tom Caruana, Soulful Spider and Mr. Simmonds.
Like listening to a cross between Shakespeare and Mike Skinner… a joyful experience.
Powerfully intelligent and awe-inspiringly eloquent, Baba Brinkman and Dizraeli are the saviours of hip-hop.
The hypnotic beats of [Mr. Simmonds] soundscapes provide so much more than a supporting role.
On stage at Glastonbury.

The start of the Rap Guide era. Rap Guide to Evolution was produced by Soulful Spider, Tom Caruana and Nokz, and engineered and mixed by Soulful Spider. Apocalyptic Utopian Dreams in the Western Wilderness has beats by Soulful Spider, Tom Caruana, Lucid Notion, Mr. Simmonds and DJ NST.
Infinite Potential became a live band, with lead vocals from LeaLea Jones. They played Ronnie Scott’s and recorded for BBC Introducing at Maida Vale Studios.





LeaLea Jones plays “Cake” at the Jazz Cafe.
“Bullseye” is a track by UK hip-hop and dancehall/bashment artist Jimmy Screech, from the 2010 double A-side vinyl Dollyanna / Bullseye and his 2011 album The Remedy. Produced by Infinite Potential, it pairs traditional reggae and bashment-style skanks with glitchy, updated techno and dubstep beats.

Honey-voiced Brit LeaLea Jones in session at the world-famous Maida Vale Studios, recording her single “Cake” for the BBC.
Soulful Spider produced the bulk of the EP.
Six tracks.
Seven tracks.
An instrumentals compilation from Baba’s label. Four of its 19 tracks are Soulful Spider’s, with additional production by Lin G on two.
Four tracks on the album. The show played off-Broadway at New York’s Soho Playhouse.
Two remixes built on original Soulful Spider tracks: Freedom Remix (feat. Matt Layzell) and Can’t Stop Remix (feat. Mariella).
The first album under his own name: warm, widescreen instrumental hip-hop pulled from a vast archive of beats and fragments.
The player appears here the moment the album is live.